I think I might have mentioned this a time or twenty, but I love books. I love them! Even books I don't love, I wouldn't want to see destroyed. There is power in story-telling. There is power in the written word. This is one of the tenets of my beliefs: Language matters.
After going to lunch with my family a few days ago, I arrived home to a familiar sight--a yellow shipping envelope with Amazon's recognizable typeset on it. I had a book. Like I said, this is a familiar sight. I order a lot of books through Amazon. Hell, I order a lot of books period, but I couldn't think of any that I had order recently. My last few purchases have been for my e-reader. I ripped open the package and found The Irresistible Revolution: living as an ordinary radical. I'm used to receiving books that are new to me, but I had never seen or heard of this book or its author--Shane Claiborne. I looked for a shipping receipt, but couldn't find one. On Amazon, for the three people in the world who don't know, you can leave a note and send a gift receipt with anything you are gifting, so this surprised me. It means I don't know who sent me this present.
Putting that aside for the moment, I flipped the book over and read the description where I learned that "Claiborne stirs up questions about the church and the world, challenging you to live out an authentic Christian faith." Here's the rub: I'm not interested in living as an "authentic Christian" because I'm not a Christian. I try hard to live and let live, but I'm an atheist and a humanist. Neither of which I hide. Whoever sent this book to me is connected to me--he/she has my home address--and either he sent this to me because he doesn't know anything about me or because she knows things about me and wants to tell me I'm wrong.
I don't mind having a discussion about religion or politics or any topic. One of my closest family members, D, and I have discussions about faith and religion and our worldviews regularly. And our worldviews are not the same. If she sent me a book about Christianity, fiscal conservatism, or anything else, I would read it because she respects and values my opinion, and I feel the same about her. But, and this is a big but, she would tell me she was sending it. She would ask before she sent it. She would follow up with questions on what I would recommend she read, so that our discussion can be a real discussion.
As it turned out, a different cousin sent it to me. He and I haven't spoken in a long time. Somewhere along the lines of three or four years. We, on occasion, comment on the same Facebook statuses, but we don't have that much to do with one another. We live states a part and always have, plus he's a few years older than me. A few months ago, he asked me for my address, and now I have received this book. I sent my cousin an email expressing my unease and unhappiness with this "gift." It came out of the blue, with no note, no explanation. It is a book that has nothing to do with the way I have chosen to live my life. Apparently, my cousin's feelings were hurt by my email stating these things. He thinks I overreacted and misconstrued his intentions. He said he sent the book because he thought I would enjoy the message and because he knows how much I like to read. He asked if I would recommend a book on secular humanism, and he would read it.
We have exchanged a few emails now about this, and I hope we are on a better footing, but it has made me aware of a few things: 1) I don't like being given unsolicited religious books. 2) I don't really like the proselytizing or teaching aspect of explaining my beliefs to someone that I'm pretty sure won't like them and only view them as a reason for further witnessing to me. 3) I will read anything if someone asks me to. 4) I really should get over that. 5) I hate confrontation, even if it is amiable. 6) I love keeping in contact with my family, but if the only reason you want to talk to me is to discuss religious beliefs and points of view, I'm not sure this counts as keeping in touch. 7) How do you tell someone you have no problem becoming re-acquainted, but the current conversation isn't how you want to accomplish this feat?
After emailing back and forth more, I don't think my cousin was trying to hurt my feelings or be disrespectful. However, I don't think his motivation was as "pure" as he thinks it was. I'm curious about the motivation to witness, and I'm curious as to why I'm the object of this witnessing. The only thing I can think of is that I'm the youngest of the cousins. Most of our family likes to read, but I'm the only one to receive this book. Why? Why not send it to my cousin D? She is a Christian and very interested in discussing different aspects and manifestations of Christianity. Why not send it to my sister or D's sister? They are both avid readers; they are also humanists, liberal, and share many of my beliefs. The biggest thing I have learned about myself in this exchange is that these issues fascinate me, but I don't really enjoy the process of discussion and confrontation.
Showing posts with label reading. Show all posts
Showing posts with label reading. Show all posts
Tuesday, May 21, 2013
Thursday, April 25, 2013
Music and Musings and Women
I've been reading an ongoing discussion about female characters in books, movies, and other forms of entertainment. It goes something like this: I hate female characters, especially when they seem to be usurping a man's place/role. Why do you hate female characters? Is it because you are sexist? NO! You're stupid and probably ugly. I don't hate all female characters, but female characters are so often written from sexist and negative perspectives that I would rather focus on good characters...you know, men. But don't you think that is detrimental to artists who are trying to write/portray "good" female characters? What about the void that this lack creates in reality? Can't we have good characters that are women as well as men? It's too hard trying to wade through all the bullshit lady characters out there. I've sort of given up. That makes me sad. I hate female characters! There isn't enough yelling in this section! AAAAAWWWWWWWW.
This inter-web conversation made me think of a real-life conversation I had a while back with a friend. My friend loves music. He has a connection with his music that I can only relate to because it is a connection I experience through reading. We were discussing musicians and the types of music we enjoy. He commented that he doesn't really like female singers, but I should listen to this one song by this one lady. [I don't remember details like what song or what lady.] I agreed; in fact, I remember saying something like "I prefer a male voice as well. The deeper the better." And then my friend said something that hit me like a donkey kick: "Women don't experiment as much with their voices. They just sound pretty."
And I realized, damn, women don't get to experiment as much in music or anywhere else. PERIOD. And all of a sudden, I was pissed and defensive. And I started naming all of the women who have unique, strong voices that I personally love--Nina Simone, Patsy Cline, Brody Armstrong, Brandi Carlisle, the Dixie Chicks, Joan Jett, my own goddamn voice--and that's only naming a few. And here's the thing, I wasn't pissed at my friend. I was pissed at myself. I'd been saying to myself and others for practically my whole life that I preferred men's voices. But what I was really saying is the same thing I meant when I bragged about having more guy friends than girl friends--"I'm cool. Don't count my femininity against me. I'm not one of those girls. I'm not a girly-girl. Hell, my favorite characters are men. I like a man's voice. I relate to DUDES."
And although there is nothing wrong with liking male voices or male characters or men in general, there is something wrong with dismissing anything feminine or feeling like you have to justify your love of feminine things or females in general. If you are dismissing female characters, or judging them more harshly than you do male characters, or dismissing female artists simply because they are female, you are part of the problem. I was part of the problem. This doesn't mean we have to love everything or everyone woman, but we do have to evaluate our feelings about women because of the sexist culture in which we live.
This inter-web conversation made me think of a real-life conversation I had a while back with a friend. My friend loves music. He has a connection with his music that I can only relate to because it is a connection I experience through reading. We were discussing musicians and the types of music we enjoy. He commented that he doesn't really like female singers, but I should listen to this one song by this one lady. [I don't remember details like what song or what lady.] I agreed; in fact, I remember saying something like "I prefer a male voice as well. The deeper the better." And then my friend said something that hit me like a donkey kick: "Women don't experiment as much with their voices. They just sound pretty."
And I realized, damn, women don't get to experiment as much in music or anywhere else. PERIOD. And all of a sudden, I was pissed and defensive. And I started naming all of the women who have unique, strong voices that I personally love--Nina Simone, Patsy Cline, Brody Armstrong, Brandi Carlisle, the Dixie Chicks, Joan Jett, my own goddamn voice--and that's only naming a few. And here's the thing, I wasn't pissed at my friend. I was pissed at myself. I'd been saying to myself and others for practically my whole life that I preferred men's voices. But what I was really saying is the same thing I meant when I bragged about having more guy friends than girl friends--"I'm cool. Don't count my femininity against me. I'm not one of those girls. I'm not a girly-girl. Hell, my favorite characters are men. I like a man's voice. I relate to DUDES."
And although there is nothing wrong with liking male voices or male characters or men in general, there is something wrong with dismissing anything feminine or feeling like you have to justify your love of feminine things or females in general. If you are dismissing female characters, or judging them more harshly than you do male characters, or dismissing female artists simply because they are female, you are part of the problem. I was part of the problem. This doesn't mean we have to love everything or everyone woman, but we do have to evaluate our feelings about women because of the sexist culture in which we live.
Saturday, April 13, 2013
The Importance of Narrative
My
sister-in-law, D, moved to New York last year to pursue her education. The kid
misses her a lot as do I. D and I have a lot in common. She's the baby of her
family. I'm the baby of my family. We both identified as fairly awkward teens.
We're both artists. And we both love Art Deco, sundresses, and Neil Gaiman. So
when her boyfriend came home for his spring break, she sent presents--awesome
earrings and a purse for me, gourmet dried fruits for her brother, and a book
for the kid.
I
feel like the book was also for me. It's Blueberry
Girl by Neil Gaiman. It's this beautiful "prayer" for a little
girl. Wishes for how she might grow up, and how the world might treat her. It's
the perfect blend of fairy tale magic and real world scenarios. I love it, so
does the kid. Great present giving from an awesome Tia...
I
read a lot. In fact, my whole family reads a lot. Reading as an activity has
helped define and shape me as an individual and has influenced my views of the
world. If I love you, I have probably given you a book because books and the
stories they contain are how I cope and concentrate. They are how I define
myself. I
can tell you the books I was reading in moments of change in my life. I'm not
sure if they are books that made me change, or if they are simply the markers I
use to record those changes. Either way, books are often the yardstick I use to
measure my emotional and philosophical growth and development.
Stories help us
grow. They activate our empathy and make us more open to other people's experiences
and lifestyles. They help us articulate our own experiences and lifestyles.
They let us know we are not alone. Which
brings me to my point: there is a trend in education to remove fiction and
narratives from our high school curriculum. Curriculum planners want the focus
to be on non-fiction, informative texts.
The idea of more science- or fact-
based readings in school does not worry me, but our society's disregard for the
power of stories does. I see this all over. My students love to hear stories,
but they don't understand how the stories they read/hear/see affect their view
of the world. And we aren't teaching this skill. They are reading--Twilight, The Hunger Games, The Fault in Our
Stars. But they can't explain the difference between Katniss, Bella, and
Katherine. They don't know how these female characters are shaping their
personal views of femininity and women's roles in the world. They don't
understand the connection between entertainment and personal beliefs. But they
want to. This is what hurts the most, at least for me. This disregard does not
come from our children. They are seeking out stories to influence them, but they
haven’t been taught to understand and question this influence.
I
want the written word to touch people’s lives, but I want more than anything
for people to understand the difference between Gaiman’s Blueberry Girl and Bella. I want people—adults and children alike—to
be able to critically look at the way language shapes perceptions. I want
society to see the power of language, a power for change and beauty and growth
or one of stagnation.
Monday, March 4, 2013
Readers of the World: Unite!
Azar Nafisi, the author of Reading Lolita in Tehran and other books, read and answered questions last Thursday for the final Winter with the Writers (WWW) program at Rollins College. Not only is WWW a wonderful program at my alma mater, but Azar Nafisi is an inspiration.
I first read Reading Lolita a year after its publication, which happened to be my senior year in high school. It came as a much needed assurance that my focus on words and stories had a place in this world--a place that did indeed matter. It added to my belief that the action after 9/11 were muddying already murky waters between the USA and its perceptions and actions of and in the Middle East. Nafisi's insistence that stories illustrate and illuminate our reality resonated; her points about the importance of acknowledging the differences between our dreams and reality helped me articulate my growing unease and dissatisfaction in my personal faith. This book affected me greatly. It challenged and comforted me. It moved and shook me.
Fast forward a couple of years, and I am teaching Reading Lolita in Tehran to my AP English Language and Composition students. It's odd to return to a book that has meant so much to me and teach it. My students mostly seem to be enjoying the book. They struggle with the novels assigned in conjunction with the book--Lolita, The Great Gatsby, Daisy Miller, Pride and Prejudice. But Reading Lolita they love. Nafisi's voice speaks to them. Not like it spoke to me, these are children who have no memory of 9/11. Most of them are not as passionate about language and stories as I am, but it does speak to them. Nafisi has captured a facet of humanity in her book, and my students recognize and respond to it.
At her reading, Nafisi spoke with conviction, articulation, and insight. She discussed the importance of stories. The importance of telling our own stories and participating in our own realities. Reality is written by those who show up; by those who are creating, fighting, story-telling. Her spoken words brought tears to my eyes like her written words had done a decade ago.
I first read Reading Lolita a year after its publication, which happened to be my senior year in high school. It came as a much needed assurance that my focus on words and stories had a place in this world--a place that did indeed matter. It added to my belief that the action after 9/11 were muddying already murky waters between the USA and its perceptions and actions of and in the Middle East. Nafisi's insistence that stories illustrate and illuminate our reality resonated; her points about the importance of acknowledging the differences between our dreams and reality helped me articulate my growing unease and dissatisfaction in my personal faith. This book affected me greatly. It challenged and comforted me. It moved and shook me.
Fast forward a couple of years, and I am teaching Reading Lolita in Tehran to my AP English Language and Composition students. It's odd to return to a book that has meant so much to me and teach it. My students mostly seem to be enjoying the book. They struggle with the novels assigned in conjunction with the book--Lolita, The Great Gatsby, Daisy Miller, Pride and Prejudice. But Reading Lolita they love. Nafisi's voice speaks to them. Not like it spoke to me, these are children who have no memory of 9/11. Most of them are not as passionate about language and stories as I am, but it does speak to them. Nafisi has captured a facet of humanity in her book, and my students recognize and respond to it.
At her reading, Nafisi spoke with conviction, articulation, and insight. She discussed the importance of stories. The importance of telling our own stories and participating in our own realities. Reality is written by those who show up; by those who are creating, fighting, story-telling. Her spoken words brought tears to my eyes like her written words had done a decade ago.
Thursday, January 31, 2013
Reading and Rereading
I love books. I was an English major in school; I can't help but smell every book I pick up; I keep a journal of all the books I read throughout the year, so that I can see and remember what I have read. It's more than a hobby for me. It's a way that I sort out my feelings and beliefs. It's the way that I relax. I become fidgety and angry when I have forgotten to bring a book with me no matter where I go. It would be fair to say that books--both the concrete item and the ideas they contain--matter to me a great deal.
I love the Harry Potter series. The first Harry book came out when I was 11 or 12. I read it, tried to act cool about it, and secretly fell in love. I read the whole series, slowly caring less and less about how nerdy I was becoming with my love of these books. When the seventh book was published, I had recently found out about my unexpected and unplanned pregnancy. Two paragraphs in and I was already crying. After my man friend, R, (very reasonably and sweetly) suggested that maybe just maybe my emotions were running a little high, I proceeded to read him the entire series because he "didn't get it." I literally grew up with Harry, Hermione, Ron, and the gang.
I use to reread the series every summer or anytime a new book was coming out, but I haven't done that in a while. In fact, a year or so ago I traded my hardcover copies to one of my friends, A, for her softcover copies (I needed the shelf space, and A wrote her Honors Thesis on Harry and Peter Pan). I haven't opened them until recently.
I decided to reread the whole series a few days ago, and that's when I discovered that my new-to-me copies smell exactly like my friend. A moved away at the beginning of August to attend grad school. She is having a great time, and I get to live vicariously through her. But I miss her a lot. When I opened Harry Potter and the Sorcerer's Stone, A filled the room. The book smells like her; it has her notes scattered throughout. We have spent a good amount of time discussing this story, and sitting down to read her old copy of the novel reminded me of all of the wonderful times I have spent sipping coffee with A while discussing literature, movies, and life.
Books are wonderful because, for me at least, not only do they contain the stories recorded by their authors, which is pretty great all on its own, but they can also take us back to specific moments in our own lives, people we love, or lessons we have learned. The stories of Harry Potter do that for me. They remind me of what I was like as a kid and a teenager and how my understanding of the novels grew as I grew; they take me back to my pregnancy and the tradition that my act sparked (I still read aloud to R); and they remind me of friendships. Not bad for a book written for children that I first read 15 years ago.
I love the Harry Potter series. The first Harry book came out when I was 11 or 12. I read it, tried to act cool about it, and secretly fell in love. I read the whole series, slowly caring less and less about how nerdy I was becoming with my love of these books. When the seventh book was published, I had recently found out about my unexpected and unplanned pregnancy. Two paragraphs in and I was already crying. After my man friend, R, (very reasonably and sweetly) suggested that maybe just maybe my emotions were running a little high, I proceeded to read him the entire series because he "didn't get it." I literally grew up with Harry, Hermione, Ron, and the gang.
I use to reread the series every summer or anytime a new book was coming out, but I haven't done that in a while. In fact, a year or so ago I traded my hardcover copies to one of my friends, A, for her softcover copies (I needed the shelf space, and A wrote her Honors Thesis on Harry and Peter Pan). I haven't opened them until recently.
I decided to reread the whole series a few days ago, and that's when I discovered that my new-to-me copies smell exactly like my friend. A moved away at the beginning of August to attend grad school. She is having a great time, and I get to live vicariously through her. But I miss her a lot. When I opened Harry Potter and the Sorcerer's Stone, A filled the room. The book smells like her; it has her notes scattered throughout. We have spent a good amount of time discussing this story, and sitting down to read her old copy of the novel reminded me of all of the wonderful times I have spent sipping coffee with A while discussing literature, movies, and life.
Books are wonderful because, for me at least, not only do they contain the stories recorded by their authors, which is pretty great all on its own, but they can also take us back to specific moments in our own lives, people we love, or lessons we have learned. The stories of Harry Potter do that for me. They remind me of what I was like as a kid and a teenager and how my understanding of the novels grew as I grew; they take me back to my pregnancy and the tradition that my act sparked (I still read aloud to R); and they remind me of friendships. Not bad for a book written for children that I first read 15 years ago.
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